Skip to content Skip to Menu KAL Accessibility Statement

OP: Lambeth Method of Cake Decoration and Practical Pastries

Write a review
| Ask a question
by Joseph Lambeth
This is a past out-of-print offer. Please let us know if you would like us to source a similar copy for you. This item is no longer available.

Extravagant cake design in Europe and the United States had a golden age in the late nineteenth and early twentieth centuries when colonialism had made ingredients such as sugar, chocolate, and vanilla available in significant enough quantities to be utilized in extremity. Pastry and baked goods became more elaborate and grandiose. The overpiping technique for cake decorating was developed in this time period and likely has roots all over Europe, but it was popularized by a British expatriate living and teaching in Chicago, Joseph Lambeth. 

What is now known as the Lambeth technique consists of careful, deliberate piping, typically of royal icing, to create architectural and lacelike texture. Between the often monochromatic white-on-white color scheme, the level of difficulty, and the time consumed to execute, the technique was predominantly associated with wedding cakes, examples of which can be found at the matrimonial events of several British royal couples. 

At the urgence of his disciples, Joseph Lambeth self-published Lambeth Method of Cake Decoration and Practical Pastries in the United States on a limited run in 1934. UK publisher Virtue and Company picked up the book and published their edition in 1936, which states “first edition” on the title page. Though the majority of the material within concerns itself with the cake design with which he was most associated, Lambeth also covers French and Danish pastries, petit fours and tea cakes, and gum paste and sugar molding. 

We are pleased to be able to offer here Virtue and Company’s 1937 second edition, which includes additional material directed toward the European audience: buns, scones, and other traditional baked goods. Our copy is in very good condition, though somewhat shelf worn, as such heavy books are prone to be. The interior is clean and unmarked, save for an occasional, inconspicuous stain, and the binding is sound. Black and white photography and 20 color plates supplement the technical material, making the large and hefty tome (12.25” x 9.5” x 1.5”) a valuable resource for professionals still. It is in demand and not often found.

Shopping Cart